learningdslrvideo.com/manual-auto-focus/
Cast: Dave Dugdale
Tags:
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/67150615
Showing posts with label Vimeo / Film School - Filmmaking. Show all posts
Showing posts with label Vimeo / Film School - Filmmaking. Show all posts
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/67150615
Wireless LED Lights: goo.gl/l5pJj
Quick little tip on how to add interesting color to your videos by use of these special RGB LED lights that can be controlled via Bluetooth through iOS or Android Devices.
Cast: emmagination
Tags: Wireless LED light, Bluetooth LED lighting, Cheesycam, DIY LED Panel, Million Color LED Video Light and Color Changing DIY
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/67388777
learningdslrvideo.com/how-to-install-magic-lantern/
Cast: Dave Dugdale
Tags:
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/67350464
Here Patrick covers some valuable tips for shooting handheld, whether you want your footage to look raw or smooth.
Cast: stillmotion
Tags: Stillmotion, handheld, six tips, movement, shake and raw
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/67401507
At the moment i can't even find the 3.5mm version, this version can be used with an adapter:
The Pyle AA version:
amazon.com/dp/B005UJQ2TY/?tag=viewnow-20
Cast: Darren Levine
Tags:
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/66941739
I was thinking of running a few tests to compare various LED Video lights on the market. This baseline test will compare light output, Color Temp, Color Cast, etc. More information about other independent LED Tests with be posted at Cheesycam.com
Cast: emmagination
Tags: LED Light Test, F&V K4000 K4000S, Bi-Color, Color Adjustable, Color Temp, Temperature, CN-600, CN600, 600 LED Video Light, 900 LED and Cheesycam
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/67113206
Cast: FocusMaker
Tags:
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/52381597
The BRUCELY Project is an independent, self-funded skunkworks project. The goal; to construct the world’s most advanced 4D performance capture system and to use the performance capture in Augmented Reality applications.
Augmented reality is the stuff of sci-fi. With new technologies like Google’s glass project and Occulous Rift, AR is almost ready for mass integration. AR is magical when you first play with it, but too often content producers stop there; showcasing the technology as if it were a magic trick. What we wind up with is flat gimmicky novelty content that stalls creative innovation. Building on the incredible work of innovators like Paul Debevec, Lee Perry-Smith and the incredible team at Agisoft, BRUCELY exists to execute AR experiments that rely on story, not technology to move audiences. BRUCELY is entirely self funded and relies on the passion and sweat of it’s collaborators, and the generous help of it’s sponsors.
The Technology:
The purpose of all this is to develop a system and to forge a pathway from 4D capture to mobile execution. Currently there is no practical method of capturing a photo-real 4D human performance in realtime. Additionally there is no open system for using that capture data for use within a mobile AR application. The capture data would be just too massive. We started to address the first problem by constructing the capture array. The Epic BRUCELY capture array uses a series of hi-res motion cameras; specifically 21 Red Epic Cameras to photographically capture a human performance. Using passive photogrammetry technology, dense 3D models are rendered from the captured images with high resolution geometry and textures. Part of the process relies on the incredibly powerful Agisoft Photoscan Pro; a software originally developed for the GIS (geographic information system) industry to render georeferenced orthophotos.
The amount of data produced by the Epic BRUCELY array is staggering (>50GB of converted raw footage per second.) Once it has been rendered as geometry and texture files, the size is much more reasonable, but it is still not practical for mobile delivery or playback. A critical step is making the capture data usable for mobile. To address this problem, we must retarget the data using morph target animation principals to convert captured data to onto a single piece of geometry so it can be played back using mobile platforms like Unity3D. The result: viewers will see a captured performance in 3D with motion, rendered exactly as it was intended by the artist.
Expectation/Outcome:
The possibilities of what can be done with this type of capture system are staggering. Imagine being able to direct a shoot with actors, and only focus on the performance? Later, the director can go in and replay that performance, watching it in 4D using an AR display, and only then have to worry about directing the camera, the lighting, that dangerous stunt that would have been otherwise impossible. They could make a dolly shot handheld and change the scene to night-time months after talent has wrapped. These advances will be possible and the work we are doing is contributing to that. There is an opportunity to captivate in ways that the world has never seen. Our goal is to develop the first narrative “short-film” produced as an AR application.
Our intent is that content creators will continue to use these capture innovations to bring meaningful story content to AR. We believe it’s one of the hallmarks of true disruption: to work with new technology and timeless storytelling to make something so captivating and meaningful that the technology itself disappears.
Cast: Alexx Henry
Tags: 4D Capture, Photogrammetry, RED Epic, Augmented Reality, AR and BRUCELY
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/64904757
In this video, Aharon Rabinowitz quickly takes you through the experience of using BulletProof from Backup to Export.
Red Giant BulletProof is a complete media prep solution for footage that simplifies the tedious everyday tasks that happen on set. Bridging the gap between camera and editor, BulletProof combines all backup, organization, color and delivery tasks while handling footage from multiple cameras and media cards. Whether they shoot with a Canon DSLR, Nikon DSLR or GoPro sports cam, every filmmaker, videographer and data wrangler can now quickly and easily transform their capture into edit-ready footage.
Download the FREE beta today at redgiant.com/bulletproof
Cast: Red Giant
Tags: BulletProof and Media Prep
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/65764469
A revolutionary 3-axis gyro-stabilized handheld camera gimbal
USD $1800
contact in video
Check out defygimbal.com for the latest news
Cast: Helder Filipe Martins
Tags: 3-axis, gyro, stabilized, handheld, camera gimbal, gyro-stabilized and handheld stabilized
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/65329731
For more information and Promote Control Presets visit my blog joelschat.com/2013/04/16/bulb-ramping/
Special thanks to Promote System's goo.gl/8aIWL, Paul Schellenberg goo.gl/xbVH4 and the Vancouver Lookout goo.gl/fd0ms
Equipment used:
Canon 5d mark ii x2
Canon 16-35 f/2.8
Canon 24-105 f/4
Canon 50 f/1.2
Canon 70-200 f/4
Promote Controller goo.gl/8aIWL
Cast: Joel Schat
Tags: bramping, bulb ramping, day to night timelapse, how to, tutorial, promote, joel schat, vancouver, heart of vancity, vancouver lookout and how to shoot a day to night
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/64109080
Visual Effects guru and a man who has designed the template for Vfx in films, Doug Trumbull is a true genius. Known for his ground breaking work on Kubrick's epic future forward film "2001," Doug Trumbull is a fascinating man to listen to and certainly holds court when he speaks about his craft. The SOC presented a Technical achievement award in 2009 for Trumbull's development of the Slit Scan process of motion picture cinematography.
Cast: Dave Frederick, SOC and Bob Joyce
Tags: 2001, Douglas Trumbull and SOC Awards 2009
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/41747091
Here it is:
amazon.com/dp/B000PTFDYO/?tag=viewnow-20
Want something less disposable?
amazon.com/dp/B004AH10K8/?tag=viewnow-20
OK, i already know what you're saying, why buy what i can make out of a shopping bag? Easy: This is already stoopid cheap, and it works better, and won't make you look like an amateur.
Cast: Darren Levine
Tags: rain, sleeve, jacket, dslr, filmmaking, gh2, magic lantern and c100
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/66422652
Check it out:
amazon.com/dp/B0002TTN3Y/?tag=viewnow-20
The comparable Rode NTG-2
amazon.com/dp/B00093ESSI/?tag=viewnow-20
Cast: Darren Levine
Tags:
via Vimeo / Film School - Filmmaking http://vimeo.com/channels/filmschool/66429025
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