Sound Design Sessions is an audiovisual project developed by Dataset Clothing for music and sound producers.
Stay tuned for more info.
instagram.com/datasetclothing
facebook.com/dataset2010
feeldataset.com
Cast: Dataset and Accent Creative
Tags: Dataset, Clothing, Sound Design, Design, Cinema4d, Contest, Bigup Magazine, Electronic, Bass, Bass Music, Movement, Sub, Glitch and Accent Creative
Place: Moscow, Gipsy club
Date: 17,18,19 may 2013
Concept: Alexander Us, Pavel Paratov
Art director: Pavel Paratov
Producers: Alexander Us, Alex Rozov
Illustration: Ilya Balakin
Supervisor: Oleg Barankin
Animation: Roman Vyshivanov, Konstantin Shun, Nastya Chamkina, Artur Zhamaletdinov, Al Medvedsky, Andrey Korovkin, Alexey Pavlov, Pavel Paratov
Technical director: Dima Napolnov
VJ: Denis Akopov, Alexander Tolstikov
Project manager: Nastya Filinina, Natalya Selivanova
Filming crew: Evgeniy Arkhipov, Nikita Belous
Cast: SilaSveta, Pavel Paratov, Shun, afpavlov, Andrey Korovkin, Roman Vyshivanov, CJ Basie, Medwedsky and helloarty
Tags:
Sound Design Sessions is an audiovisual project developed by Dataset Clothing for music and sound producers.
Stay tuned for more info.
instagram.com/datasetclothing
facebook.com/dataset2010
feeldataset.com
Cast: Dataset
Tags: Dataset, Clothing, Sound Design, Design, Cinema4d, Contest, Bigup Magazine, Electronic, Bass, Bass Music, Movement, Sub, Glitch and Accent Creative
Stage Design by Fader vjfader.com
DJ: Mickey Zhang
VJs: YiHu Tang & Fader
LD: Daniel Richardson
Cast: Fader
Tags: vj, vjfader, visual, beijing, intro, music, festival, mickey zhang, stage, live, stage design and china
whole documentary is comming soon!
* international festival of independent electronic music and visual art
* 26/04/2013 - Prague - Czech republic
* National gallery - Veletržní palác
* lunchmeat.cz/festival/
* artists in residency program - NOHlab studio - special visual set with Clark
* Long Arm & Ruslan Gadzhimuradov vs Stix | Hyetal vs Aeldryn | Kangding Ray - a/v show | Clark vs NOHlab | Fantastic Mr Fox vs Jago VJ | Sinjin Hawke vs Tagtool
* Camera: Jan Slavik, Jakub Mardesic, Tomas Krejci
* Edit: Jakub Mardesic
* Videoproduction: Klara Plechsson
(c) REAL PICTURES 2013
Cast: ...::LUNCHMEAT::...
Tags: Clark, Fantastic Mr. Fox, Long Arm, Ruslan Gadzhimurado, Stix, Hyetal, Aeldryn, Kanding Ray, NOHlab, Jago VJ, Sinjin Hawke and Tagtool
Our latest challenge from the good folk at Nike was to create a charming motion piece to increase awareness of their impressive Reuse-a-Shoe initiative and it's process.
Nike Reuse-a-Shoe takes worn out athletic shoes and grinds them down to create a new material called Nike Grind, which is used to make high-quality sports surfaces including courts, turf fields, tracks and more.
Full project page: manvsmachine.co.uk/projects/project/nike_reuse_a_shoe
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CREDITS:
Design, Direction & animation:
ManvsMachine
Audio:
Echolab
Cast: ManvsMachine
Tags:
These idents are part of a top-to-toe rebrand of the TV on-demand service.
The overall scope of the project has been to develop a new and innovative identity package for the BT Vision service; with a brand that needs to work across all media and is able to sit with the existing BT brand and BT Vision product logos. Completed in association with our friends and regular collaborators, Proud Creative.
Find out more about the project here:
creativereview.co.uk/cr-blog/2011/october/bt-vision-rebranded-by-manvsmachine-and-proud-creative
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Direction & Animation:
ManvsMachine
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High Speed Photography:
Jason Tozer
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Audio:
Resonate
Cast: ManvsMachine
Tags:
Thanks for watching my animation! I did it in order to teach myself Cinema 4D and Vray in my spare time, the renders aren't perfect but the best I could get out of my machine. While I setup up most of the geometry using tracers, Xpresso and Thinking Particles, I had some help along the way from the following great resources...
I edited the motion captures from this archive >>> sites.google.com/a/cgspeed.com/cgspeed/motion-capture and used Microsoft Kinect for some parts aswell
I tweaked the character models from >>> thefree3dmodels.com/
Sound effects we're mostly sourced from >>> freesound.org
And the music is obviously from Capcom's Street Fighter 2, play it here >>> itunes.apple.com/ie/app/street-fighter-ii-collection/id459660048?mt=8
If you like this, then checkout the original & far superior Quayola and Memo 'Forms' >>> vimeo.com/37967381
Peace!
Gif> tinyurl.com/afmwoss
Cast: dantheadman
Tags: street fighter mograph, cinema 4d, vray, 3D, snes, xpresso, thinking particles, ken, ryu, blanka, chun li, guile, test, street, fighter, mograph, motion, sculptures and motion sculptures
My graduation project in Digital Media.
A small, full CG shortfilm set in a pseudo 1980s environment, where a nostalgic theme is emphasized through the display of old computer hardware, together with careful cinematic grading.
Made as a "proof of concept" for a future project that I am currently working on.
Credits:
CG
modeling_texturing_lighting_rendering by Brian Sørensen
Post
grading_editing_soundDesign by Brian Sørensen
MUSIC
written & produced by Brian Sørensen
Cast: Brian Sørensen
Tags: CG, Vray, Commodore, Retro, 3ds max, After Effects, Computer, Nostalgia, Shortfilm, LOAD, Movie, Art, 1980s, Cinematic and Photorealistic
Resonance is a collaborative project with over 30 independent visual and audio designers/studios. The aim was to explore the relationship between geometry and audio in unique ways.
Special thanks to Clear Cut Pictures who did a great job with the audio mastering and also RenderRocket who gave us access to their awesome renderfarm.
SEE || Displace Studios and MoveMakeShake | Esteban Diacono | Heerko Groefsema | Jean-Paul Frenay | Jr.canest | KORB | Kultnation | Mate Steinforth | Matthias Müller | Momentary People | MRK | Murat Pak | Onur Senturk | Physalia studio | Polynoid | SR Partners | Thiago Maia | Tom Waterhouse | Tronic Studio | Spatial Harmonics Group
HEAR || Audionerve | Combustion | CypherAudio | David Kamp | Echolab | Hecq | Michael Fakesch | Mutant Jukebox | Radium Audio | Box Of Toys Audio | Studio Takt | World Gang
resonance-film.com for more details and opportunities to get one of the limited edition Blu-Ray and DVD versions of the full film.
Resonance was initiated and produced by SR Partners.
Cast: Resonance, Movemakeshake, Audionerve, CypherAudio, aa, ECHOLAB, Heerko Groefsema, Ian Clemmer, Jr.canest, JP Frenay, KORB, Kultnation, Combustion, mate, Michael Fakesch, Momentary People, Murat Pak, Mutant Jukebox - Music & Sound, Onur Senturk, MRK, Polynoid, Physalia Studio, Radium Audio Ltd, SR Premium, Studio Takt / Music & Sound, Tom Waterhouse, TronicStudio, Thiago Maia, Esteban Diácono and KAMP - Music & Sound Design
Tags: resonance, sr partners, collaboration, offf, sonar, playgrounds, pause festival, 3d, 2d, animation and motion
FTSI Presents The World’s Largest Dynamic Sphere Array
1008 synchronized axis of motion with coordinated projection, lighting and sound.
This installation was showcased at the Shanghai World Expo.
Cast: fishertechnicalservices
Tags: Kinetic Sculpture, Ball Grid Array, china flying balls, shanghai and world expo
Double-exposures in motion.
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Breeder was invited back to create the opening titles for Analogue/Digital, so once again, we threw ourselves into the project and didn't hold back. This year, we developed an ambitious aesthetic based upon the idea of double exposure, inspired by Alabaster's amazing track and the conference's program design. We worked around the theme of binary, juxtaposing the urban sprawl and nature, black and white, flight and fall, and unification and disintegration. It was a labour of love and we couldn't be prouder with the end result.
analoguedigital.com.au
studiobreeder.com
facebook.com/pages/Alabaster/209468402421179
Credits
Creative Direction: Joyce Ho
Producer: Adam Sebastian West
Cinematography: Chris Morris, Alex Gee, Adam Sebastian West
Editing: Alex Gee
Design Lead: Joyce Ho
Design: Alex Gee, Timothy Lovett, Jai Mitchell
Compositing: Chris Morris
Animation: Alex Gee, Joyce Ho, Grayson Huddart
Starring: Abagail Pirie, Anthony Trojman
Sound by ALABASTER
Cast: BREEDER, Alex Gee, Joyce Ho and Chris Morris
Tags: analogue, digital, analogue/digital, a/d, 2013, breeder, double exposure, nude, black, white, composite, nature and urban
CHIAROSCURO
§ — Installation by Sougwen Chung
. . . . . . . . . . . . . . . . . . . . .
Chiaroscuro is a culmination of contrasts; the interplay of light and dark, the tangible and intangible, the old and new. The installation is a contemporary interpretation of "Chiaroscuro", a term more commonly associated with 17th century painting, that is as hand-made as it is digitally enabled.
Drawing in the installation is the fundamental element -- spanning the physical structure, the light-mapping and the projection itself. By digitizing the drawing, the simple expression of mark-making becomes transmutable. It is reinterpreted to take on a new form and dimension in the software -- it transforms into structures manipulatable through time.
If drawing is an analogy for basic human expression, Chiaroscuro is an immersive installation that augments the drawn image in scale, sound, and scope by harnessing the imaginative potential of interdisciplinary processes and technologies.
More info about the project at sougwen.com/chiaroscuro
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Musee D'art Moderne et Contemporain Géneve
Geneva, Switzerland
May 2-10, 2013
Commissioned by Mapping Festival
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Creative direction by: Sougwen Chung
Original Music by Praveen Sharma
Technical direction: Andrien Boulanger
Arduino Programming by: Adam Harvey
Structural Supports by: Square Fabrication
Filmed by: Linda Cavaliero, Marcelline Gamma
Thanks to: Ana Ascensio, Boris Edelstein, Adrien Boulanger, Justine Beaujouan, Loic Shutter, Audrey Powell, Jorge Escobar, Yves Evequoz, Nonotak Studios, Wengnam Yap, Adi Panuntun, Sony Budi Sasono, Gaz Bushell, Anthony Rowe, Linda Cavaliero, BLACK OUT ( blackout.fr ), Adrien Boulanger, Fanny Visser, Will Wires Dardelin, Fabrice Giraud, Fabio Manozzi
. . . . . . . . . . . . . . . . . . . . .
Cast: sougwen
Tags: installation, a/v, projection, paper and drawing
360 movie DVDs, metal disc, computer, 14:19 min. video projection loop
Dimensions: 210x210x20 cm.
Sikka is a sculptural video installation constructed from 360 used DVDs. This multi-thematic piece was inspired by “sikka”, the gold coins sewn to clothing dating back to Babylonic times that eventually became the shiny plastic objects we know today as sequins. By projecting the contents of the DVDs back onto their surfaces the artist continues to investigate both new uses for discarded objects as well as his interest in combining the phantasmagorical properties of cinema with its physical elements. In this case, film segments were selected from each of the DVDs for their color, shape and movement value, forming a digital palette from which the final projected loops were constructed. The accompanying self-generated soundtrack is the resulting “accidental composition” created by layering the soundtracks from the actual segments being projected. The final effect is that of an audio-visual mosaic.
Historically, sikka were worn to remind onlookers of the wealth and power of those wearing them while also evoking the light of the divine. Similarly, the surfaces of the DVDs flash back at us images born from the glamorous world of Hollywood where image is converted to a kind of currency.
Cast: Daniel Canogar
Tags: Sikka Magnum, Daniel Canogar, Umea, Bildmuseet, installation art and projections
Hakanaï is a haiku dance performance taking place in a cube of moving images projected live by a digital performer.
In Japanese, this word Hakanaï is the union of two elements, one alluding to man and one alluding to the dream. It is used to define the ephemeral, the fragile, the transitory, the intangible nature of matter.
This words together with the tulle covered cube, create the starting point for this piece.
The four projectors reveal on the tulle a graphic universe in constant evolution. Performed by an artist as a “digital score”, it is generated and interpreted live. The dancer’s body enters into a dialogue with the moving images in motion. These simple and abstract black and white shapes behave according to physical rules that the senses recognise and to mathematic models created from the observation of nature.
The audience experiences the performance in several stages. They first discover the exterior of the installation. As the dancer arrives, they gather around to watch the performance. When the choreography has ended, the audience can then take some time to wander amongst the moving images.
Through a minimalist transposition, this piece is based on images drawn from the imaginary realm of dreams, their structure and their substance. The box in turns represents: the bedroom where, once the barrier of sleep is passed, walls dissolve and a whole new inner space unfolds; the cage, of which one must relentlessly test the limits; the radical otherness, as a place of combat with an intangible enemy; the space where impossible has become possible, where all the physical points of reference and certitudes have been shaken.
Through the encounter of gesture and image, two worlds intertwine. The synchronicity between the real and the virtual dissolves and the boundary that was keeping them separate disappears, forming a unique space filled with a high oneiric charge.
Our research is mainly based around the following:
1. A thoughtful digital technology at the service of performing arts.
In order to preserve the force of the live presence on stage and then transpose it to the digital medium, all the images are generated, calculated and projected in real time.
2. The idea of digital writing and performance of digital scores.
Through a musical approach to the images and an instrumental approach to the computer program, the experience of the moment is given pride of place.
3. Interactive ways of overcoming the technical challenge.
Using capturing systems from video game technology (for their power in calculation and reactivity) combined to a work of virtual puppetry (for the value of human intuition and its dreaming ability) allow us to offer the audience this sensitive experience.
4. The use of the unconscious experience of movement.
The computing and mathematical models come from the observation of Nature. This private and unconscious experience of movement creates an imaginary world where abstract graphic forms become evocative worlds.
5. The structuration of coincidences.
The gesture interferes with the image in a believable and coherent way. Creating strong bridges between the digital and the real material allows the virtual to become an extension of the real.
Concretely, the implementation of these principles is the result of a close relationship between computers, electronics and software all through the computer program eMotion. eMotion is a tool allowing the experimentation of the relationships between virtual elements and data taken from the real world. It is based on physics models and is at the heart of and at the beginning of all of the company’s projects. Although the project is the result of research into juggling, it goes way beyond its original subject while at the same time inheriting the concrete and sensitive relationship to matter, body and movement.
Cast: Adrien M / Claire B
Tags:
a project by Quayola & Sinigaglia
{2013}
Audiovisual Installation - Custom Software for Realtime Graphics
4k video on 2 LCD displays | 2ch Sound
Dimensions Variable
Commissioned by Nike
Producer: Keri Elmsly
Animator: Paul Mumford
Sound: Michael Hodgson
Assistant: Sebastiano Barbieri
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Cast: Quayola and Natan Sinigaglia
Tags:
Visit me on facebook and if you like...give me a like :-)
facebook.com/page.sie
Project: Ampersand
Client: The New Republic / New York
Directed & Produced: Korb & Susi Sie
DOP & Edit: Susi Sie
Compositing & 3D: Karolina Sereikatė
Producer: Lina Paškevičiūtė
Music & Sound Design: Andrea Damiano
Ampersand is a visual collective interpretation of creativity process - vitally growing and evolving crystals represent bursting ideas, the engine of all arts. To achieve growing crystals look visual artist Susi Sie used a supersaturated solution of sodium acetate, also known as “hot ice”.
This short film is a combination of live shot crystals and 3D.
Ampersand starts section of Books & Arts of 99 year old “The New Republic” magazine (NY, USA).
The first ampersand was created by Sagmeister & Walsh in January 2013.
Cast: Susi Sie
Tags: experimental, abstract, art, inspirational, creative, motion, poetic and liquid
Project by Daniel Franke & Cedric Kiefer
produced by:
onformative.com
chopchop.cc
Documentation:
vimeo.com/38505448
Music: Machinefabriek "Kreukeltape"
machinefabriek.nu/
Text: Sandra Moskova
The basic idea of the project is built upon the consideration of creating
a moving sculpture from the recorded motion data of a real person. For
our work we asked a dancer to visualize a musical piece (Kreukeltape by
Machinenfabriek) as closely as possible by movements of her body. She was
recorded by three depth cameras (Kinect), in which the intersection of the
images was later put together to a three-dimensional volume (3d point cloud),
so we were able to use the collected data throughout the further process.
The three-dimensional image allowed us a completely free handling of the
digital camera, without limitations of the perspective. The camera also reacts
to the sound and supports the physical imitation of the musical piece by the
performer. She moves to a noise field, where a simple modification of the
random seed can consistently create new versions of the video, each offering
a different composition of the recorded performance. The multi-dimensionality
of the sound sculpture is already contained in every movement of the dancer,
as the camera footage allows any imaginable perspective.
The body – constant and indefinite at the same time – “bursts†the space
already with its mere physicality, creating a first distinction between the self
and its environment. Only the body movements create a reference to the
otherwise invisible space, much like the dots bounce on the ground to give it
a physical dimension. Thus, the sound-dance constellation in the video does
not only simulate a purely virtual space. The complex dynamics of the body
movements is also strongly self-referential. With the complex quasi-static,
inconsistent forms the body is “painting†, a new reality space emerges whose
simulated aesthetics goes far beyond numerical codes.
Similar to painting, a single point appears to be still very abstract, but the
more points are connected to each other, the more complex and concrete
the image seems. The more perfect and complex the “alternative worlds†we
project (Vilém Flusser) and the closer together their point elements, the more
tangible they become. A digital body, consisting of 22 000 points, thus seems
so real that it comes to life again.
nominated for the for the MuVi Award:
kurzfilmtage.de/en/competitions/muvi-award/selection.html
see video in full quallity:
daniel-franke.com/unnamed_soundsculpture.mov
HQ Stills
flickr.com/photos/37752604@N05/sets/72157629203600952/
Cast: Daniel Franke, onformative and Laura Keil
Tags: cedric kiefer, daniel franke, onformative, wearechopchop, chopchop, sculpture, soundsculpture, laura keil, unnamed soundsculpture, unnamed, machinefabriek and Sandra Moskova
AEON is an animated short film created to be a part of the 2013 TEDxSydney conference. It's purpose is to act as a 'palette cleanser' between talks.
AEON explores the concepts of growth, loosely reflected as a cyclical journey across the natural seasons over the course of many years. We draw loose parallels between these natural seasons and the seasons within an individuals life.
We purposely left the piece open to interpretation, but we would note that in developing AEON, we did explore the deeper concepts of life, existence and the identity of the individual within the broader cosmos. Where do we fit in when there is so much that is greater than the individual.
Our subjects are drawn from nature with moments particularly relevant to the Australian landscape from which many Australians forge their identity. We wanted the piece to be emotive and textured, opting for a stylised, low poly treatment complex in execution but nicely simplistic in its actual aesthetic. We wanted to explore geometry and the reduction of things to these core elements. The design and treatment a reflection of what is core to our existence.
Created by The DMCI
Directed by Nathan Drabsch & Brecon Littleford
Design and Animation - Brecon Littleford, Pat da Cunha, James Redmond, Nathan Drabsch
Music Composition and Audio Design - Mark Brandis & Jeff Black at ism studios
TEDx Executive Producer - Marque Owen
Cast: The DMCI, Nathan Drabsch, brecon littleford, ism studios, Pat DC and James Redmond
Tags: TEDxSydney, AEON, TEDx, Motion Design, Life, Seasons, Motion Graphics, Low Poly and Cinema 4D
Animated Spot for Dataset Clothing
feeldataset.com
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Directed by Takcom™
Music: Ben Samples 'Outlaws'
Sound Design: Miguex
Audio Mastering: EshOne
Twitter: twitter.com/datasetclothing
Facebook: facebook.com/dataset2010
Cast: Dataset, takcom™ and Accent Creative
Tags: Dataset, Clothing, Electronic, Undeground, Music, Dubstep, Movement, Glitch, Bass, Dub, Takcom, Ben Samples, Miguex, EshOne, Eprom, Joe Nice, Bulletproof, Animation, Motion Graphics and Audio
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